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                  Alexis Harding, Crack Tip (Unraveller), 2012 
                    (detail) 
                    Oil and gloss on MDF, 244 x 122 cm 
                   
                    Mummery + Schnelle is pleased to announce an exhibition of 
                    recent work by Alexis Harding. 
                   
                    The relationship between what has happened, and what has been 
                    done, is not always clear in Alexis Harding's work. Nor is 
                    the status of the material his practice corrals into place 
                    a clear cut question of cause and effect, or of the essential 
                    and the superfluously contingent. An awareness of questions 
                    of agency and possibility, the structures in which these occur, 
                    and the ways in which these react back upon one another are 
                    part of the disruptive but fecund power of his paintings. 
                   
                   
                    Recent paintings demonstrate a technical approach in some 
                    respects unchanged  
                    from earlier work, but are offered up as a difference on another 
                    level, like the same sound caught by differently configured 
                    microphones. A gradated spectrum of gloss paint poured through 
                    a partitioned container and moved across a surface of wet 
                    oil colour on panel is a recent organising principle. These 
                    panels often take a regularised format, the 8' x 4' of a standard 
                    mdf sheet, or perhaps the circular tondo form. The upper skin 
                    of the paint in some of these works has left incremental ridges 
                    depending on interruptions of its journey across the surface, 
                    these ridges acting as a different sort of graphic trace to 
                    the initial frictionless pouring.  
                   
                    For all their arresting power, these paintings remain in some 
                    way spare or frail, a  
                    trail of matter. Some of the results coincide with certain 
                    other sorts of  
                    matrices: practices of looking, aesthetic paradigms and models. 
                    The paintings can present a grand aspect here, a baroque dynamism 
                    there, and recently, a new sort of blankness or lack of modulation, 
                    seeming to emphasise the 'thingness' of the works, the way 
                    they articulate with the architecture of their display, and 
                    a new sharpening of their address to our mobile bodily encounter 
                    with them. * 
                   
                    * These passages have been taken from a text by Stuart Elliot 
                    commissioned to accompany Alexis Harding’s exhibition. 
                   
                  Alexis Harding was born in London in 1973. He studied at 
                    Goldsmiths College from 1992-95. He lives and works in London.                   
                     
                     
                      
                     
                      
                     
                      
                     
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