Alexis 
                  Harding Bi-product Depositories 
                   
27 November – 19 December 2009 
  
                  Private view 
                  Thursday 26 November, 6–8pm | 
               
               
                    
                  Mummery + Schnelle is pleased to present a project by Alexis 
                  Harding.  
                   
For the past six years Harding has been using the plain cardboard 
                  covers of a 2003 catalogue of his work as drawing boards and 
                  depositories for the bi-product of his studio practice. Now 
                  numbering 120, these studies will be installed on one wall of 
                  the main gallery space at Mummery + Schnelle. Collectively they 
                  act as companions to the paintings made over the same period 
                  and provide a unique insight into Harding’s thoughts and 
                  working processes. 
                   
In the beginning the catalogue covers were grounds for repeated 
                  actions such as the sieving of paint from failed paintings and 
                  cleaning the brush. Over time, a visual language evolved describing 
                  the real time of the studio, the attempt to give an order to 
                  its disorganisation and to its Modernist residue. Recurrent 
                  motifs create a schematic illusionism - paint balls, towerblocks, 
                  Islands, horizon lines, paint detritus, days of the week, paint 
                  boulders, anthropomorphous perching gestures, paint growths, 
                  heads, neglected aerial vegetation, paint excavation, signposts.  
                   
Harding’s exhibition will also include three recent paintings 
                  that further illustrate the move away from the grid-like central 
                  motif characteristic of his earlier work that was evident in 
                  his 2007 exhibition at Mummery + Schnelle. There is a continued 
                  exploration of control, failure and contingency in the making 
                  of the work, but the grid has been replaced with a single poured 
                  line, enlarged and distorted, that becomes almost corporeal. 
                  The new series of broken line and arrow paintings engender a 
                  deepening dialogue between the material and bodily act of painting 
                  and the reception of it. 
                   
Alexis Harding was born in 1973 and studied Fine Art at Goldsmiths 
                  College. In 2004 he won the John Moores Prize for Painting. 
                  He lives and works in London.  
                   
                  Click here to read more 
                  about Alexis Harding's work. | 
               
              
                 
                   
                    
                   
                    
                   
                    
                   
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          Back to exhibitions  
             
             
              
             
            Substance and Accident 
2012 
 
What If It's All True,  
What Then? 
2011 
 
Bi-product Depositories 
2009 
 
Depthplunge 
2007 
 
 
 
Click here to download a press release in pdf form 
 
Please scroll down for installation views |