Zebedee Jones 
                   
                  17 April - 24 May 2008    Private view 
                Wednesday 16 April, 6-8 pm | 
               
               
                    
                  Mummery + Schnelle is delighted to present the first solo 
                  exhibition at the gallery by the painter, Zebedee Jones. Recent 
                  paintings form the core of a show that also includes work on 
                  paper, an aspect of this artist’s practice that has rarely 
                  been exhibited in this country.   
                  Jones came to wide critical attention in 1994 with his inclusion 
                  in Unbound: Possibilities in Painting, the exhibition at the 
                  Hayward Gallery that identified in the work of 14 international 
                  artists key creative tactile, personal and intellectual motivations 
                  that continue to influence art-making today. He subsequently 
                  took part in group shows acclaimed for their concentration on 
                  the materiality and vibrancy of contemporary painting, notably 
                  Real Art at Southampton City Art Gallery and From Here at Waddington 
                  Galleries and Karsten Schubert.   
                  His paintings comprise surfaces of densely modulated layers 
                  of paint over linen supports that project from the wall on deep 
                  stretchers. When each brushed application of paint has dried, 
                  Jones scrapes down the material with improvised tools and traditional 
                  implements to reveal marks and effects set up by the behaviour 
                  of the medium itself and inflected by resonant colour. Ostensibly 
                  monochrome, these surfaces extend to the thick and uneven edges 
                  that seem to record their dynamic making.   
                  In an essay specially commissioned to accompany this exhibition*, 
                  writer Martin Holman remarks that ‘These memorable works 
                  present themselves with the weight and substance of objects 
                  rather than conventional canvases. They are often (but not always) 
                  quite small and frequently square, as if regularity in dimensions 
                  will reduce distractions, for the artist as well as the viewer.  
                   
                  The balance they aspire to is intuitive, a rationality that 
                  is sensed rather than measured in the relative qualities of 
                  surface, colour, scale, depth and gesture. When encountered 
                  in a naturally-lit room off a city street, that combination 
                  simultaneously applies the brake to the ambient desiccation 
                  and fragmentary nature of everyday and, somehow, complements 
                  its energy.'   
                  Zebedee Jones (b. London, 1970) studied at Norwich School of 
                  Art and received his MA from Chelsea College of Art. One-person 
                  exhibitions have taken place in London, Amsterdam, Dublin, New 
                  York and Rome since 1995. He was included in Unbound: Possibilities 
                  in Painting at the Hayward Gallery, London, in 1994; Real Art 
                  – A New Modernism: British Reflexive Painters in the 1990s 
                  at Southampton City Art Gallery, Stedelijk Museum, Aaalst, Belgium 
                  and Leeds City Art Gallery in 1995-6; and At Sea, Tate Liverpool, 
                  in 2001-2. He lives and works in London.   
                  * Extract © Martin Holman, 2008 
                  For the full text of this essay, please contact the gallery 
                   
                   
                  For enquiries, please contact 
                  Andrew Mummery at: andrew@mummeryschnelle.com 
                  or  
                  Wolfram Schnelle at: wolfram@mummeryschnelle.com 
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