Project room: Mariana 
                  Mauricio 
                   
                  4 March - 10 April 2010    Private View: 
                  Wednesday 3 March, 6–8pm | 
               
               
                    
                  Mummery + Schnelle is pleased to announce the first solo exhibition 
                  of works by Brazilian artist Mariana Mauricio.   
                  In her work Mauricio re-examines the history and environment 
                  of Rio de Janeiro, where she grew up. She hunts for old photographs 
                  - mostly those capturing images of the family life and holiday 
                  scenes of well-to-do Brazilian families in the 1960s and 70s 
                  –- that become the basis for her work. Images such as 
                  these informed Mauricio's childhood vision of a time before 
                  her birth, but they are in stark contrast to the historical 
                  reality that Brazil was under a dictatorship at that time which 
                  was responsible for the disappearance and torture of thousands.  
                   
                  Some of the original photographs have become discoloured, scratched 
                  or ripped over time and through neglect. This deterioration 
                  invests the images with a physical sense of fading memories, 
                  of loss and of the passing of time, all of which Mauricio builds 
                  upon. Having chosen images that contain undercurrents of staged, 
                  or false, cheerfulness and underlying tension, Mauricio re-works 
                  the photographs, further scratching, painting over or sewing 
                  into them, or bleaching their surfaces. These interventions 
                  often feel violent, adding or enhancing a sense of anxiety inherent 
                  in the images.   
                  Mauricio then transforms the photographs completely by scanning 
                  them with a high-resolution scanner and reprinting new works 
                  of art that are larger than the original images. Paradoxically, 
                  in the enlarged images, the scanned stains, rips and threads 
                  –- now in two dimensions –- seem to appear more 
                  real and pronounced. The shift in medium –- from photographs 
                  to giclée prints –- enhances the relationship of 
                  Mauricio's interventions to the formal structure of the found 
                  image and distances the viewer from the factual content of the 
                  photograph. The new print tugs the picture into the present, 
                  suggesting a cyclical nature of history. Mauricio's artwork 
                  begins a life of its own during which it will be subjected to 
                  new interpretations.   
                  Mariana Mauricio was born in Rio de Janeiro and lives and works 
                  in London. | 
               
               
                       
                       
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