Marco Bohr 
                  Floating Cities  
                   
                  16 January - 23 February 2008   
                  Private view 
                Tuesday 15 January, 6-8 pm | 
               
               
                    
                  Mummery+ Schnelle is pleased to announce an exhibition of a 
                  new body of work by Marco Bohr entitled Floating Cities. In 
                  this series of photographs Bohr explores questions concerning 
                  nature versus the urban, the artist as outsider, romanticism 
                  as an escape from the modern and the ungraspable nature of music, 
                  water and time.    
                  The exhibition will feature a series of photographs showing 
                  amateur musicians playing on the banks of the Tamagawa river, 
                  on the outskirts of Tokyo. In a city as densely populated as 
                  the Japanese megapolis, this is one of the few places to practise 
                  musical instruments without disturbing others; but the Tamagawa 
                  river is also a place frequented for leisure, for courtship, 
                  for play, and those who visit this stretch of land are longing 
                  to escape the pressures and strictures of the urban environment. 
                     
                  The bridge is a reoccurring symbol in this series of photographs; 
                  indeed, its structure might allude to the Proscenium - suggesting 
                  that what is taking place is a type of performance. In this 
                  case, though, except for the temporary presence of the photographer, 
                  the performance has no audience. On the other hand, collaborating 
                  in the act of being photographed is also allowing the performance 
                  – albeit unintentionally - to prolong itself beyond the 
                  moment.    
                  Although the phenomenon of the ‘riverside musician’ 
                  developed alongside Japan’s apparent embrace of modernity, 
                  it is already rooted in the Japanese psyche: “water is 
                  a regressive image symbolizing ... an amniotic fluid, related 
                  to the memory of pre-modern Japanese existence.”1 With 
                  no high-rises, billboards or bullet trains in sight, the river 
                  is possibly also a place where one can visit the past.   
                   
                  Marco Bohr was born in Wiesbaden, Germany in 1978 and studied 
                  at Ryerson University, Toronto, Napier University, Edinburgh, 
                  and the Royal College of Art, London. Now resident in London, 
                  he has lived and worked in Canada and Japan. Solo exhibitions 
                  include, ‘Uniforms’ at the Japan Foundation, Toronto 
                  (2006). Recent Group exhibitions include ‘Shot and go’ 
                  on the Island of San Servolo, Venice (2007), ‘Event Cities’ 
                  at Gallery 44, Toronto (2006) and ‘reGeneration’ 
                  at the Musee de l’Elysee in Lausanne (2005).    | 
               
             
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